Here are the steps you can take to de-interlace an image in Photoshop:

Open the image in Photoshop.

Make sure the image layer is selected and go to Filter > Video > De-Interlace.

The default option usually provide great results but these can be adjusted as needed. Click OK.

There you have it! Use Gaussian Blur if necessary to help clean up rough areas.

Watch the video below if you’re interested in learning more about interlaced frame rates from our friends at Indy Mogul.

Interlaced and Progressive Frame Rates Explained!

What’s your favorite Photoshop filter? Comment below!

The post How to Deinterlace in Photoshop appeared first on Robert's Productions | Post Production Tips.

In this tutorial, we’ll take a look at how to disable the Smart Resample feature in Sony Vegas to prevent ghosting.

Have you ever noticed after you import certain clips in your timeline, there’s a ghosting effect much like the image above? This happens when you import footage into your timeline that has a different frame rate than the project. The “Smart Resample” feature of Sony Vegas, creates a crossfade effect between the original frames to match the source frames.

In this case, the project was set at 59.940 FPS (Frames Per Second) while this particular video clip had a slightly different fps of 59.949 fps. So, Sony Vegas automatically adjusted the clip with “Smart Resampling” to try and match the framerate of the project. As it may be useful in certain circumstances, you’ll usually get a much sharper look when turning it off.

‘Smart Resample‘ is always on by default and there’s currently no way to change that. Though, it only applies itself when the event’s frame rate does not match the source frames. Useful if you experience any interlacing problems or any other jittery output problems.

To turn off Smart Resampling, select all the clips you want to disable it from. Right-Click the first clip and then go to Switches > Disable Resample. This will apply that option to all of your selected clips.

If you would like a quicker way to disable Smart Resample for all clips, check out this script: http://forums.creativecow.net/readpost/24/959394 You’ll be able to disable it for your entire project with a click of a button. Though, I found it to be just as fast doing it manually.

Feel free to let me know if you have any questions in the comments below!

The post Fix Frame Ghosting in Sony Vegas appeared first on Robert's Productions | Post Production Tips.

In this tutorial, I’ll show you how to simply split two videos side by side in Sony Vegas. We’ll use the Event Pan/Crop tool to create a one-time preset which can be used for all videos. Works for 1080p and 720p video sizes + more.

Feel free to let me know if you have any questions in the comments below!

The post Split Screen in Sony Vegas appeared first on Robert's Productions | Post Production Tips.

In this tutorial, we will be taking a look at how you can animate things with the use of gradient wipes in Sony Vegas Pro 12. This can be used for animating lines, writing text, etc. without the need to keyframe anything at all. This does require a photo editor, which for this I used Photoshop.

Image from Shutterstock.com

The post Animate Lines in Sony Vegas appeared first on Robert's Productions | Post Production Tips.

Vegas Pro 12 Giveaway / Review (TeraBrite)

Leave a comment on their YouTube video on why you deserve Vegas Pro 12. A winner will be chosen randomly.

Vegas Pro 12 is available in two configurations. The traditional Vegas Pro 12 collection will include Vegas Pro 12, DVD Architect Pro 5.2 and Dolby Digital Professional Encoder for all your video, audio, and disc authoring needs. The more affordable Vegas Pro 12 Edit however comes with everything above except DVD Architect Pro. This is great if you need the editing power but don’t have any use for the DVD authoring software.

Key Features;

• Project Interchange
  • This allows you to import and export a wide range of project files to and from Vegas Pro 12. You can convert between the native .veg file and AAF for Avid® ProTools® 10, XML for Apple® Final Cut Pro® 7, Final Cut Pro X (export only), DaVinci Resolve 8, and .prproj for Adobe® Premiere® Pro CS6 and After Effects® CS6.
• Smart Proxy Workflow
  • I’ve seen many people struggle with lag or choppiness during playback. With Smart Proxy Workflow, you can create high-performance, edit- friendly Smart Proxy clips in the Project Media view, to achieve faster playback. The media will automatically and dynamically switch from original to proxy based on the Preview playback settings. Original media files will be used for the final render.
• FX Masking
  • Now you can mask and effect rather than the image itself. Perfect for quickly blurring or pixelating certain areas of video clips such as logos, license plates or a person’s face.

• Shape Masking tools
  • Previous versions of Vegas Pro included the simple Bezier Masking Tool (Pen Tool) which is powerful and accurate but can sometimes be too much for simple masking. The new rectangle/square and oval/circle Masking Tools make it much easier to mask portions of the media by drawing the desired shape over the appropriate areas.
• Layer Dimensionality Video FX and Compositor
  • Adding white text over video clips can sometimes be hard to read. With Layer Dimensionality, you can add the appearance of depth to graphics and video clips. Useful for elements with alpha transparency layers, you can add realistic shadows, glow, and embossing effects. Layer Dimensionality is also available as a Compositor plugin, making it useful in conjunction with Track Motion and picture-in-picture effects.
• Vegas Pro Explorer Redesign
  • The updated Vegas Pro Explorer now features a Thumbnail View, and supports Windows libraries including My Songs, my Videos, and My Pictures. Auto-text fill and “Breadcrumb Control” similar to Window s Explorer lets you quickly navigate to previous directories in your system. Using Ctrl+ the mouse wheel scaled the thumbnail images for added image detail while browsing.

• Expanded Edit Mode
  • Double click at the edit point to see the timeline in a detailed “A-B Roll” view. The adjacent frames of the events at the edit point can be clearly viewed above the tracks for reference, and unused media in the events can be seen in the track area. The edit point/event edge is then highlighted in red and can be trimmed with the mouse or numeric keypad. Setting a Loop Region around the edit point enables you to dynamically add or remove frames from either side of the edit point while the media is playing, creating a highly precise editing experience.

Other great new features;

• 64-bit Audio Plug-ins – Sound Forge 32-bit plug-ins are now compatible with the 64-bit version of Vegas Pro 12.
• CompregensiveS-log Workflow – Supports S-log via ACES color space standard.
• Project Media Tagging – Quickly categorize your media with customizable tags.
• Project Media Updates – Thumbnails in the timeline will display with letter boxes depending on the events aspect ratio.
• Color Match – Match colors between clips using L*a*b* color space.
• Panasonic P2 Support – Edit the DVCPRO 25/50/100 and AVC-Intra 50/100 MXF files natively.
• HDCAM SR (SStP) Mastering – Encode to all flavors of the HDCAM SR mastering format.
• LAB Adjust and L*a*b* Color Space Histogram – Manipulate colors using the powerful L*a*b* color space.
• Edit Properties for Multiple Video Files – Edit file properties for a variety of media at once.

Vegas Pro 12 Trial: http://j.mp/SOGYJR

Product Comparison: http://j.mp/RAmTnW

If you’re serious about video editing on a professional level, consider giving Vegas Pro 12 a try. However, if you’re just looking to edit family video, or let’s say vacation footage you may not want to invest in something you won’t use very often, therefore you might want to go with the much more affordable, Movie Studio series. So, be sure to check out the product comparison as well!

What new features are you excited about? Let us know in the comments below!

Reference:

https://www.sonycreativesoftware.com/vegaspro12cs

The post Sony Vegas Pro 12: What’s New appeared first on Robert's Productions | Post Production Tips.

Sony Software recently announced Vegas Pro 12 at IBC to be available this fall 2012. To be exact, that could be anywhere between September 22 – December 20^th. With it, comes many new exciting features. One in particular is proxies. If you ever experienced any lag or choppiness during playback, the new Smart Proxy Workflow looks like it’ll come in handy.

Vegas Pro will be available in two configurations. The traditional Vegas Pro 12 collection will include Vegas Pro 12, DVD Architect Pro 5.2 and Dolby Digital Professional Encoder for all your video, audio, and disc authoring needs. The more affordable Vegas Pro 12 Edit however comes with everything above except DVD Architect Pro. This is great if you need the editing power but don’t have any use for the DVD authoring software.

Some key features I’m looking forward to;

• Project Interchange
  • This allows you to import and export a wide range of project files to and from Vegas Pro 12. You can convert between the native .veg file and AAF for Avid® ProTools® 10, XML for Apple® Final Cut Pro® 7, Final Cut Pro X (export only), DaVinci Resolve 8, and .prproj for Adobe® Premiere® Pro CS6 and After Effects® CS6.
• Smart Proxy Workflow
  • I’ve seen many people struggle with lag or choppiness during playback. With Smart Proxy Workflow, you can create high-performance, edit- friendly Smart Proxy clips in the Project Media view, to achieve faster playback. The media will automatically and dynamically switch from original to proxy based on the Preview playback settings. Original media files will be used for the final render.
• FX Masking
  • Now you can mask and effect rather than the image itself. Perfect for quickly blurring or pixelating certain areas of video clips such as logos, license plates or a person’s face.

• Shape Masking tools
  • Previous versions of Vegas Pro included the simple Bezier Masking Tool (Pen Tool) which is powerful and accurate but can sometimes be too much for simple masking. The new rectangle/square and oval/circle Masking Tools make it much easier to mask portions of the media by drawing the desired shape over the appropriate areas.
• Layer Dimensionality Video FX and Compositor
  • Adding white text over video clips can sometimes be hard to read. With Layer Dimensionality, you can add the appearance of depth to graphics and video clips. Useful for elements with alpha transparency layers, you can add realistic shadows, glow, and embossing effects. Layer Dimensionality is also available as a Compositor plugin, making it useful in conjunction with Track Motion and picture-in-picture effects.
• Vegas Pro Explorer Redesign
  • The updated Vegas Pro Explorer now features a Thumbnail View, and supports Windows libraries including My Songs, my Videos, and My Pictures. Auto-text fill and “Breadcrumb Control” similar to Window s Explorer lets you quickly navigate to previous directories in your system. Using Ctrl+ the mouse wheel scaled the thumbnail images for added image detail while browsing.

• Expanded Edit Mode
  • Double click at the edit point to see the timeline in a detailed “A-B Roll” view. The adjacent frames of the events at the edit point can be clearly viewed above the tracks for reference, and unused media in the events can be seen in the track area. The edit point/event edge is then highlighted in red and can be trimmed with the mouse or numeric keypad. Setting a Loop Region around the edit point enables you to dynamically add or remove frames from either side of the edit point while the media is playing, creating a highly precise editing experience.

Other great new features;

• 64-bit Audio Plug-ins – Sound Forge 32-bit plug-ins are now compatible with the 64-bit version of Vegas Pro 12.
• CompregensiveS-log Workflow – Supports S-log via ACES color space standard.
• Project Media Tagging – Quickly categorize your media with customizable tags.
• Project Media Updates – Thumbnails in the timeline will display with letter boxes depending on the events aspect ratio.
• Color Match – Match colors between clips using L*a*b* color space.
• Panasonic P2 Support – Edit the DVCPRO 25/50/100 and AVC-Intra 50/100 MXF files natively.
• HDCAM SR (SStP) Mastering – Encode to all flavors of the HDCAM SR mastering format.
• LAB Adjust and L*a*b* Color Space Histogram – Manipulate colors using the powerful L*a*b* color space.
• Edit Properties for Multiple Video Files – Edit file properties for a variety of media at once.

Some new features not listed in the article but shown in the video;

• GPU acceleration for Titles & Text
• Expanded Edit mode
• Simultaneous audio/video fades
• ACVDH 2.0 support
• Match project to first media added
• Vertical docking windows
• Improved L-cut, J-cut editing
• Timeline Editing and Trimming enhancements

It definitely looks like Vegas Pro 12 will include a good handful of much needed updates. A few in there I’m ecstatic to try out. Again, Vegas Pro 12 is expected to release sometime this fall with no exact date as of yet.

Reference:

https://www.sonycreativesoftware.com/vegaspro12cs

What new features are you excited about or disappointed that they didn’t include? Leave your response in the comments below!

The post Sony Vegas Pro 12 Coming Fall 2012 appeared first on Robert's Productions | Post Production Tips.

FINAL OUTCOME

The post Sony Vegas: Walk-By Transition appeared first on Robert's Productions | Post Production Tips.

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The other day, I was inspired by the movie, “Chronicle” to reproduce the titles shown at the end of the movie in Sony Vegas. It’s a very simple effect yet adds a nice little pop to titles and credits. In a nutshell, you’ll learn how to mask media events to make them transparent so that we can add any image or video behind them. Be sure to watch the video tutorial above to fully understand the power of masking.

In this written tutorial, we’ll mainly focus on how to mask text to reproduce the effect from the movie, “Chronicle“.

Step 1: Add Background Elements

Before we add any text, lets add what we want in the background.

You can use anything you want here like some digital glitch footage or even a still image. I provided a short clip of digital glitch from which you can download below.

[button url=”https://s3.amazonaws.com/robertsproductions/downloads/Glitch_Footage.zip” size=”medium” variation=”green”]Download Digital Glitch (42.9MB)[/button]

[highlight1 variation=”green”]Windows Media Audio/Video file (.wmv) 1280 x 720 42.9MB Length: 00:01:00[/highlight1]

If you added a still image, you can make it move by adding the TV Simulator and Film Grain effects using the following settings.

[tabs_framed] [tab title=”TV Simulator Settings”]

[/tab] [tab title=”Film Grain Settings”]

[/tab] [/tabs_framed]

Step 2: Add Text

Under Media Generators in Vegas, add your preferred text preset whether it’s the ProType Titler or the standard Titles & Text. I found the standard Titles & Text Default preset worked best since I didn’t need anything too fancy.

Be sure to keep your text “White”.

Step 3: Composite Mode

Change the Composite Mode for the track with the text media to, “Multiply (Mask)”. Your text should now be transparent and should show the background footage.

You’re free to animate the text however you’d like. I made it zoom in a bit for each title.

Note: Everything under the Masked track won’t be visible unless there’s footage to mask. Place any other media in a track above the Masked track.

Change Mask Background Color

To change the masks background color we need to add some media in an entirely new video track below everything else.

Once added you may not see the color or video clip appear right away. This is because we need to parent the glitch footage with the text. You can do this by clicking Make Compositing Child on the glitch video track.

Now you should be able to see the background color you added.

Alternate Way of Masking Text

If you want to make the area behind the text a different color, change the text color in the Generated Text Media to transparent and the background to any color of your choice. You don’t need to change the composite mode for this method. Just leave it at, “Source Alpha”.

That’s it! You’ve just learned a few masking techniques in Sony Vegas. You can do this to anything as long as the area to be masked is white.

This written tutorial was mainly focused on masking text. What are some things you’ve done to make text stand out more? Leave your response in the comments below!

The post Sony Vegas: Masking appeared first on Robert's Productions | Post Production Tips.